01消弭焦虑的自然场域
Natural Field of Eliminating Anxiety

客厅，最能一窥主人的生活追求。无需艳丽色彩，咖色与大理石灰和谐辉映，以极为克制的方式让人领悟空间的意境，慢慢感染情绪，浸润疲倦的心灵。
The living room is the best glimpse of the owner\'s life pursuit. There is no need for gorgeous colors, coffee color and marble gray reflect harmoniously, making people understand the artistic conception of space in a restrained way, slowly infecting emotions and infiltrating tired hearts.

木纹电视背景墙、高品质感沙发、极简风格时钟……在低调的素雅色调下，显得极为和谐，从容散发着闲逸的慢生活态度。对家具的欣赏并非是为了获得对实物的认知，最终目的还是为了沉浸于岛屿漫步与美学艺术的精神空间。
Wood-grain TV background wall, high-quality sofa, minimalist style clock ... Under the low-key simple and elegant tone, it is extremely harmonious, and calmly exudes a leisurely and slow life attitude. The appreciation of furniture is not to obtain the cognition of the real object, but the ultimate goal is to immerse yourself in the spiritual space of island walking and aesthetic art.

几榻有度，器具有式，而一抹绿植像是安达曼岛的微观缩影，收摄充足的阳光，焕发空间的浓浓生机，投射出亲近自然、雅致温馨的审美感受，现代性焦虑消弭无形。
The couch has a few degrees, and the utensil has a style, while a touch of green plants is a microcosm of Andaman Island. It receives enough sunshine, glows the vitality of the space, and projects an aesthetic feeling close to nature, elegant and warm, and the anxiety of modernity disappears invisibly.

02灵秀清新的生活美学
Beautiful and Fresh Life Aesthetics

由客厅延续至餐厅的绿植元素，既实现了空间的艺术格调统一，打造视觉的记忆点，同时也让餐厅超越原本的功能性，达到感悟全新生活品味和审美方式的新境界，赋予其灵秀清新的自然意韵。
The green plant elements that continue from the living room to the dining room not only realize the unity of artistic style of the space and create visual memory points, but also enable the dining room to surpass the original functionality, reach a new realm of feeling new life tastes and aesthetic styles, and endow it with beautiful and fresh natural charm.

正如范晞文所言：“化景物为情思，从首至尾，自然如行云流水。”壁纸有意复刻安达曼岛的风情，恰是追求本性率真的家庭生活美学的直观表征。
As Fan Xiwen said, \"turning scenery into emotion, from the beginning to the end, nature is like clouds and flowing water.\" The wallpaper intentionally reproduces the customs of Andaman Island, which is just the intuitive representation of the pursuit of natural and honest family life aesthetics.

03留白意境的空灵感受
Ethereal Feeling Of Blank Artistic Conception

“极简并非一无所有，而是另一种拥有。”书房精准诠释了这一点，从实用功能出发，以“留白”的设计语汇构造阅读环境，并由此触发感官愉悦，引起独属于慢节奏生活的精神满足。
\"Minimalism is not nothing, but another kind of possession.\" The study accurately interprets this point. Starting from the practical function, the reading environment is constructed with the design vocabulary of \"Blank\", which triggers the sensual pleasure and spiritual satisfaction of slow-paced life.

04寝居环境的人文关怀
Humanistic Care of Living Environment

关注细节才是践行生活、关乎设计的美学。父母房充分尊重使用者的需求，用光滑细腻的立面效果传递安宁的视觉感受。不管是从线条、色彩，还是从意境、形式的角度来赏析，父母房无疑都是对现实的超越而形成的情感空间。平缓呼吸，洗涤心灵，空明平和的心境慢慢氤氲开来。
Paying attention to details is the aesthetics of practicing life and design. The parents\' room fully respects the needs of users and conveys a peaceful visual feeling with a smooth and delicate facade effect. No matter from the line, color, artistic conception and form, the parents\' room is undoubtedly an emotional space formed by transcending reality.

05寻幽探秘的奇趣空间
Interesting Space for Exploring Seclusion

循着楼梯直上，凭着小熊摆件的指引，便邂逅了奇趣十足的多功能房。沿途不仅是空间的转移和物象的替换，也隐喻着心灵探求自由的渴望。如果没有对生命饱含热忱，便很难创作符合现代人生活要求与审美趣味的居室。
Follow the stairs straight up, and with the guidance of the bear ornaments, you will encounter the interesting multi-function room. Along the way, it is not only the transfer of space and the replacement of images, but also a metaphor for the soul\'s desire for freedom. Without enthusiasm for life, it is difficult to create a room that meets the requirements of modern people\'s life and aesthetic taste.

生活，本身就是一门艺术。多功能房承担着艺术滋养的使命，且实现了多元使用场景的切换。在属于自己的私密空间里，环绕着来自安达曼岛的热烈红色，激荡出安逸新奇的生活态度。
Life is an art in itself. Multi-function room undertakes the mission of artistic nourishment, and realizes the switching of multiple use scenes. In your own private space, surrounded by warm red from Andaman Island, it stirs up a comfortable and novel attitude towards life.

06童趣满载的开心乐园
Happy Park Full of Children\'s Fun

正是怀着对孩子的关怀与共情，设计师不仅在功能上满足使用需求，更注重在心理层面给予最细微的舒适感。明快清晰的配色、童真可爱的寝具、舒展挺秀的线条，儿童房依然是一处充满奇思妙想的开心乐园。
It is with care and empathy for children that the designer not only meets the use demand functionally, but also pays attention to giving the slightest comfort in the psychological level. The children\'s room is still a happy park full of whimsy, with bright and clear color matching, childlike and lovely bedding and graceful lines.

07芳草拥簇的造梦佳境
Dream Scene with Fragrant Grass

清新淡雅的颜色、意态天然的壁画，铺陈出无限的诗意，家就有了美好的自然风景，虽由人作，宛自天开。不出居室，神思即可穿越钢铁森林，直抵远洋岛屿，身心无拘无束，亦即是庄子所说的“心斋”与“坐忘”。
With fresh and elegant colors and natural murals, the home has a beautiful natural scenery. Although it is made by people, it seems to open from the sky. Without leaving the room, you can go through the steel forest, reach the ocean island, and be free in mind and body, which is what Zhuangzi called \"Pure State of the Mind\" and \"Forget the Difference and Opposition Between Self and the Universe\".

主卧室强调人与自然的沟通，倡导一种回归自我、放下沉重包袱的愿景。只要用心去体悟设计的内涵，美学就可以超越艺术的阈限，从而升华日常生活。
The master bedroom emphasizes the communication between man and nature, and advocates a vision of returning to oneself and putting down heavy burdens. As long as you understand the connotation of design with your heart, aesthetics can transcend the threshold of art and sublimate your daily life.

08虚实相生的空间气息
Space Breath of Void and Solid

舒适、实用，是人文家居的终极诉求。与主卧室联通的休闲厅，绿意入眼，呈现出建筑的复合特性。简洁流畅的外形带着动感，巧妙地模糊了边界，合理地划分出独立又互相连接的区块，组合出既前卫又自由的生活空间，轻盈漫步，本性自足。
Comfort and practicality are the ultimate demands of humanistic home. The leisure hall connected with the master bedroom is green, showing the complex characteristics of the building. The concise and smooth shape is dynamic, subtly blurs the boundary, reasonably divides the independent and interconnected blocks, and combines the avant-garde and free living space, with light walking and self-sufficient nature.

生活品味的变化使人们不满足于现代风格底蕴的苍白，更多的是想赋予其一定的文化与自然内涵。触觉设计以理性的手法、感性的视角，从安达曼岛汲取灵感，承形延意，进而传神，轻巧实现了“日常生活审美化”，而这，也正是林语堂先生所说的“生活的艺术”。
The change of life taste makes people not satisfied with the paleness of modern style, but more want to endow it with certain cultural and natural connotations. Tactile design draws inspiration from Andaman Island with rational technique and perceptual perspective, inherits form and meaning, and then conveys spirit. It vividly realizes \"aestheticization of daily life\", which is exactly what Mr. Lin Yutang called \"the art of life\".